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Best Bronze Protection

July 5, 2026 by Bob Hannum

‘Whale Dance’ by Jim Sardonis, July 2019, bronze with dark patina, 16’ x 12’, Randolph, VT. Photo by Lelonie Oatway.
‘Whale Dance’ by Jim Sardonis, July 2019, bronze with dark patina, 16’ x 12’, Randolph, VT. Photo by Lelonie Oatway.

Why Coat Bronze

Don't use wax on outdoor sculpture. And here's the research-based reasons why. I list the research at the end of this article, and full disclosure: I receive no remuneration whatsoever for any products referenced in this article.

First a little history. The use of wax with bronze has a long tradition. Archaeological evidence of the 'hot-wax' technique for creating bronze jewelry dates back as far as the first evidence of bronze itself - around 3500 BC. So I imagine that it wasn't too long before someone noticed how nice a bronze statue or pendant looks when polished with wax, and how it protects against fingerprints and weather. This is just a theory, but regardless of how it started, the use of wax to coat metal sculpture, particularly bronze, started long ago and continues today.

The Trouble With Wax

I've used wax myself on sculptures, such as traditional hot wax coating for outdoor bronze, and Renaissance Wax for indoor sculpture. Since most of my work involves outdoor sculpture, I wanted to know just how durable wax is. To my surprise research shows that wax lasts only a few months on outdoor sculpture. Furthermore, the development of new bronze coatings such as polymers protect longer, are easier to apply, and dramatically reduce the cost of maintenance.

So about 10 years ago and after thorough research I began using a polymer known as Everbrite. Though it's a proprietary blend, its ingredients include polymers which seem to me to be similar, if not identical, to Paraloid B44 which has extensive research. We also know that Everbrite has UV-protecting ingredients and a low VOC.  After 10 years of use, I continue to find advanced polymers such as Everbrite the best choice for outdoor bronze protection. Here's why.

The Advantage of Polymer

First, let's talk about application. Polymers are much easier to apply. Simply brush it on, and anyone can do it with careful attention to temperature, drippiness, and a very clean surface. If the bronze surface is too hot the polymer will streak rather than self-level. If it's too humid, the polymer will not stick properly and blister over time. And it's such a thin - very low viscosity - substance you need to watch out for dripping. Most importantly - because I learned this the hard way - the surface must be very clean especially of any previous wax coatings or the polymer will blister and peel within a couple years.

In contrast, wax application is difficult and time consuming, aka, more expensive. Wax has to be applied hot which requires an experienced conservator. Additionally, before applying wax, old coatings have to be removed and the surface cleaned. With Everbrite as mentioned above, yes, any dirt and previous wax has to be meticulously removed, but when it comes time to recoat Everbrite - anywhere from 5 to 10 years - previous coats do not need to be removed. Just recoat over the old coat. It 'self- anneals', meaning it chemically bonds to the previous coat. This is a huge plus over wax - anyone can do it, no expensive application, no expensive maintenance - meaning tremendous cost savings for our clients.

And cleaning a polymer coating is a much easier process of simply wiping with water and cloth.

Now let's look at another benefit of polymer, protection. Only in the last couple of decades have we developed the technology to determine just how long wax lasts. Research conclusively shows that even the best quality wax doesn't last as long as we thought and polymers last much longer.

How long wax lasts on an outdoor sculpture depends on the weather. We  took it as gospel that wax lasted a year or more when in fact research indicates as little as 3 months in outdoor conditions! It's so variable that wax on one side of a sculpture weathers more than another side. To know just how long wax lasts, you need to test the particular sculpture which is a time-consuming and expensive process. Without such testing it's only a guess how long wax is protecting an outdoor sculpture. And here is the real danger: if your wax application lasts only several months, the harsh acids of bird droppings, acid rain, and pine pitch can damage and discolor a bronze patina before your next annual wax application.

I found that on 3 sculptures located in the harshest outdoor environments (freeze-thaw marine) 2 coats of Everbrite last 4-5 years. In less harsh environments (freeze thaw but not marine) several sculptures I coated in Everbrite are still showing no signs of wear after 7 years.

And all polymers are reversable with solvent. Any solvent will do, though xylene does not evaporate quickly so it's able to break down the polymer coating more effectively than other quick-drying solvents. But xylene, like all solvents, is harmful especially to lungs and skin so protection is critical. By the way, any solvent will not harm the common hard chemical patinas applied to bronze sculptures in the foundry. Solvent will remove painted patinas.

Everbrite also provides UV and anti-oxidant protection, and does not yellow. Frankly, I think it's simply nonsense to ever use wax again on outdoor sculpture.

Assessing Different Polymers

I rely on the US Park Service and the Getty Conservation Institute for the latest research on best products and practices. Unfortunately they have not yet studied recently-developed polymers. They have studied the earliest ones (Incralac and Permalac) developed in the 60's which they found superior to wax.

By the way, when you search for polymers you will find many other terms - acrylic polymer, synthetic polymer, acrylic resin, lacquer - all of these terms refer to a particular kind of polymer so to keep it simple I'm calling them polymers.

Incralac was the first. Improved coatings followed with Permalac. Everbrite was developed in 1990. Now there are many. I've used Everbrite for the last 10 years with excellent results.

According to Getty research, Incralac lasts a little over a year in the harshest environments, but top-coats of wax can extend its life up to 3 years. This wax coat means that when it comes time to apply a new coat of Incralac, the wax needs to be thoroughly removed. Permalac last 3-5 years with 4 coats. Everbrite lasts 5-10 years with 2 coats and does not need to be removed when it comes times to recoat. All the latest polymers provide UV protection, self-anneal, and self-level.

Everbrite provides any gradation of satin or matte finish desired. Permalac now comes in a satin finish but as of this writing (2025) no gradations. A cautionary note: the method of coating Incralac with wax was developed by the Getty Institute to improve its durability and provide a wax look. I've just heard of a conservator who uses this technique on Everbrite, that is, coating Everbrite with wax. First, this does not in any way improve the surfaces of the latest polymers including Everbrite. And second, the wax will have to be thoroughly removed before applying a new coat which uselessly increases maintenance costs.

Surprisingly - and happily! - I've also found that Everbrite on bronze helps protect against graffiti - more about this in the case study below.

For cost, protection, and ease of application I prefer Everbrite.

The Downside

One criticism of polymer is that it cracks and peels allowing water to seep in and discolor the bronze surface. Yes, I have seen this and it's entirely caused by not thoroughly cleaning the surface before coating. Often this is wax residue from a previous treatment. I've made this mistake myself and learned the hard lesson which I repeat for emphasis: thoroughly clean the surface of bronze before applying any polymer. When cleaned properly I have not seen any cracks or blisters or peeling in dozens of applications.

Another criticism is that it's too shiny or just doesn't produce the same look as wax. This was true for early versions, but not any more. Everbrite, for instance, comes in any shade of satin or mat finish desired. In fact, the case study presented below is an example of just such a test of many different shades before the artist found the perfect match for the original wax look that he preferred (1/4 matte).

A downside of any polymer is that it darkens verdigris. But I found a solution for those who wish to preserve the beautiful shades of green oxidation on their sculpture. I apply a faux-verdigris by painting the polymer coated bronze surface with acrylic pigments to match the original bright verdigris. Then I coat the acrylics with another coat of Everbrite - polymer does not darken color-fast acrylic paints. The verdigris look is preserved and the sculpture is protected.

verdigris look to an outdoor bronze sculpture

Final Thoughts

One drawback is that any polymer is solvent-based so it's flammable and can irritate skin, eyes, and lungs. Thus, gloves, respirator, and eye protection must be used. Some plastic containers and brush bristles will melt on contact with these polymers, so I use metal containers and natural-hair brushes, available at any hardware store.

The final comparison is expense. When you think about all the issues mentioned above, polymer is dramatically easier to use and less expensive than wax.

Case Study: Coating 'Whale Dance' - Do's and Don'ts

I most enjoy working on sculpture when I can work with the artist.

Bob Hannum and Jim Sardonis

Bob Hannum and Jim Sardonis

This job was just that. I met the sculptor Jim Sardonis when he asked me to remove graffiti from one of his sculptures. He then asked me to clean and coat this wonderful 16' tall bronze sculpture.

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    • Restoration of Maya Lin Sculptures in Istanbul
    • Dusting the World's Largest Wooden Buddha
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    • Bronze Conservation in Montpelier

The first step was a close inspection and estimate of what the job required. That done, I asked the artist if he preferred a product for coating his sculpture. This is a touchy question because Jim no longer owns it. It was purchased for permanent public display. Thus, Jim doesn't really have any say in this, though recent laws give artists some control over their art even after they sell it. Nonetheless, any decent conservator wants to know and respect an artist's wishes when reasonable. And like most sculptors, Jim preferred wax, but after I presented the wax versus polymer issue, Jim decided to try a polymer.

Polymer is particularly protective in the harsh freeze-thaw weather cycles we have here in Vermont and throughout New England. Acid rain, bird droppings, salt, and pine needles add an extra degree of stress on the surface of metal sculpture. Wax lasts only a few months in these conditions. Polymer last years.

Getting Started

Next we worked on a perfect shade to match a wax look. I applied several small test patches of different degrees of satin and matte. Jim settled on a final selection as we stayed six feet apart to adhere to our state's Covid-19 precautions at the time. The final selection turned out to be 1/4 of a standard matte chemical mixture. We also tested brush versus wipe. The coating takes only 20 minutes to dry to the touch and 60 minutes between coats.

I cleaned the sculpture surface of all the old wax and accumulated dirt using the solvent xylene - any solvent does not harm the patina, but xylene does not immediately evaporate.

I applied two coats of the custom-mixed Everbrite that Jim chose. The first coat sealed small cracks and pits.

Final Results

More and more conservators now use polymer coatings. This is the best recommendation of all since the conservation industry is quite careful. Conservators are not known for using products such as polymers that are 'only' 30 years in use!

This particular coating restored a new look identical to the original dark brown wax-coated bronze patina.

No maintenance is required other than wiping with a cotton cloth and tap water. Most of the time, rain water washes away most dirt. When the coating began to fade five years later, I simply reapplied 2 new coats without removing the old. Anyone with painting experience can do it.

I find that hear in New England, Everbrite begins to need a new coat in 5 years.  Polymers are so durable that I offer a five-year warranty to all my clients.

Oh, and one more thing - a surprising result. Polymer coating reduces the damage of graffiti! Everbrite is easy to scratch so most graffiti 'artists' are satisfied with scratching the polymer and not the patina below. So the fix becomes quite easy, simply apply another coat of polymer and the scratch disappears. The Everbrite people now make a harder coating called Protecta Clear which I will try on areas where kids like to climb - their shoes scratch off the Everbrite as well as the patina. I'll let you know how this goes in future updates.

graffiti
Repaired graffiti

References

1. Latest European study on wax, 2002, https://www.researchgate.net/publication/303158807_Protect_our_European_outdoor_bronze_monuments_Good_Practice_Guide_Culture_2000

2. Assessing the Protective Quality of Wax Coatings on Bronze Sculptures Using Hydrogel Patches in Impedance Measurements, 2016, Downloadable PDF at www.mdpi.com P. 10 - polymers are more protective than all waxes tested.

3. Latest research abstracts on polymer coatings for bronze, 2020 https://www.researchgate.net/publication/222801665_Developing_and_testing_a_new_generation_of_protective_coatings_for_outdoor_bronze_sculpture

4. More research, 2019, https://www.sciencedirect.com/science/article/pii/S0300944018309743

5. Latest GCI Research: https://www.getty.edu/conservation/

6. Anecdotal comparison of Everbrite and Incralac: https://www.everbritecoatings.com/public-art

7. Latest CGI bronze restoration: http://blogs.getty.edu/iris/revitalizing-barbara-hepworths-figure-for-landscape/

8. Latest National Park Service research: https://ncptt.nps.gov/blog/ndsu-outdoor-bronze/

9. Latest Getty Research: Incralac vs Permalac: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/viewer.html?pdfurl=https%3A%2F%2Fwww.getty.edu%2Fmuseum%2Fconservation%2Fdecorativearts_and_sculpture%2Fimages%2Fdasc_featuredproject_sculpture.pdf&clen=596502

Filed Under: Restoration Tagged With: Art Conservation, Art Restoration, Arts Management Services LLC, Bob Hannum, bronze protection, Bronze sculpture, Bronze Sculpture Conservation, Jim Sardonis, sculpture restoration, Whale Dance

Graffiti Removal in Randolph

May 10, 2020 by Bob Hannum

‘Whale Dance’ by Jim Sardonis, July 2019, bronze with dark patina, 16’ x 12’, Randolph, VT. Photo by Lelonie Oatway.
‘Whale Dance’ by Jim Sardonis, July 2019, bronze with dark patina, 16’ x 12’, Randolph, VT. Photo by Lelonie Oatway.

Brief History

Thirty years ago, the sculptor Jim Sardonis of Randolph, Vermont created two large black granite whale tales entitled "Reverence." This sculpture spent 10 years in Randolph before being sold and moved to Technology Park in South Burlington where it remains today. It was originally meant to anchor a sculpture park but that is yet to come about.

Consequently the Preservation Trust of Vermont and the Vermont Community Foundation commissioned Jim to create a larger bronze version, 'Whale Dance' which was installed in July of 2019 and sits on the same spot where "Reverence" spent its first ten years. As you can see in the photo above, 'Whale Dance' is framed by a stunning view of the mountains beyond.

Graffiti

Jim contacted me to remove graffiti. Crayon or lipstick pen appeared in two areas each about 10" square. I agreed to address this immediately even though it was the middle of winter, because graffiti is not only damaging and often ugly, it also encourages more graffiti.

Screenshot_1

Treatment

Removal was easy. I applied acetone which removes most paint and other markings from metal without disturbing the patina. Acetone can be used no matter how cold the weather. Luckily the graffiti was not etched which would have required much more work.

It took about a half-hour. After removing the graffiti I applied a dark wax at the artist's request.

Inspection

In addition to the graffiti removal, I also inspected the sculpture.

Related Projects:

    • Art Restoration at the US Consulate in Istanbul
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There are no cracks. About two dozen pits of 1/16" diameter or less appear across the surface. These are not a concern since there's no indication of any penetration below the patina such as green spots or streaks.

There are scuff marks where kids have climbed over the wide lower surfaces.

A light green sheen appears on the surface indicating that weather may be causing slight oxidation. The artist informed me that this is by design. It makes the dark surface feel more organic and alive, like whale skin. This is surprisingly effective and a wonderful treatment I never saw before.

Special Effect on Whale Dance by Jim Sardonis
Scuff marks, pits, and faint green sheen.

The sculpture is embedded in the hillside. The foundation is hidden under the surface of the ground. For additional information about the installation please refer to this fine article.

I recommended signage which is proven to reduce vandalism. I also suggested coating the entire surface with a polymer for added protection which we agreed to do in the future.

Why Coat Bronze

Bronze sculpture has traditionally been coated with wax to protect it from
conditions that can harm the metal surface, such as bird droppings, salt air,
and acid rain.

I recommend a polymer coating rather than wax for outdoor sculpture
because it seals small cracks and pits, lasts as much as 10 years (wax lasts less than a year on outdoor sculpture), and is less expensive to apply
and maintain.

Furthermore, polymer coatings are now used by most outdoor sculpture
conservators, reflecting a growing satisfaction with a product that is
relatively new (30 years) in the conservation industry.

This treatment will restore a ‘new’ look which is virtually identical to an
original dark brown semi-gloss bronze patina. The satin effect can be
adjusted by the manufacturer to match perfectly whatever the artists
intends.

Plus, no maintenance is required other than wiping with a cotton cloth and
tap water as needed. When the coating fades, a new coat can be applied
without removing the old one, and this can be done by anyone with painting
skills. Two coats can last as long as 10 years depending on weather
conditions.

I plan to coat “Whale Dance” in the spring. As part of my guarantee, I will return to inspect this work annually for free.

Filed Under: Restoration Tagged With: Arts Management Services LLC, Graffiti, Jim Sardonis, restoration, Robert Hannum, sculpture, Whale Dance

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